It is May and the most historic festival in all of Japan, the Aoi Matsuri is upon us. Iron Chef Defeater, Yoshimi Tanigawa of Kyoto’s famed Kichisen restaurant artfully uses the symbols and themes of the Aio Matsuri and seasonal leaves and ingredients for Kichisen’s May kaiseki menu.

Mr Tanigawa offered to let us do an article about his Kyoto kaiseki creations for the month of May which has both the Tango no Sekku (Boy’s Day/Festival) and Aoi Matsuri (Hollyhock Festival). Late spring verdant green, new leaves and seasonal sprouts, buds and fish abound. At Kichisen, flower arrangement and food meet in Mr Tanigawa’s natural and artistic culinary creations.

Sakizuke (Appetizer) with Seasonal Leaves and Iris

(click photos to enlarge)

Japan’s most historic festival, the Aoi Matsuri is to please the deities of the Kamo Shrines (Kamigamo and Shimogamo) and to avert famine and epidemics. For 15 centuries, people in Kyoto have put on this festival on. Kichisen borders Shimogamo Shrine and utilizes the shrine’s aoi (hollyhock) leaf in it’s logo. See photos at the end of this article to see the distinctive hollyhock plant and tiny, delicate flowers. (More about the Aio Matsuri on OpenKyoto coming soon.)

These are the first 5 courses (7 dishes) of the 12 course ‘May’ kaiseki meal.

Sakizuke (Appetizer) with Seasonal Leaves and Iris

The leaves: top two are aoi, then a whole iris and the bottoms leaves on the bottom layer are kashiwa oak leaves. Inside the kashiwa leaves are the appetizers.

The Oak Leaf Wrapped Appetizers
梅干しの天ぷら: Umeboshi Tempura (umeboshi is pickled plum)
賀茂茄子の田楽: Kamonasu Dengaku (Kamo Eggplant Miso Dengaku)
バイ貝と大根のうま煮: Baikai Daikon Umanin (Simmered Ivory Shell and Daikon)

Heian Chimaki and Uni and Yomogi (Mugwort) Tofu

Heian Era Chimaki
平安粽: Chimaki is usually a rice or sweet dish that has been wrapped in the leaf of the ‘sasa’ bamboo plant. At Kichisen, they continue to make chimaki the way it was made when Kyoto was founded 1200 years ago.

Wanmono: Yoshino Hamo Eel (Soup)

Hamo Eel
Hamo is synonymous with fresh fish in Kyoto as it was, historically the only fish from the sea that could be transported to Kyoto and still be alive when it arrived. Hamo is bony and requires a special ‘bone cutting’ technique in order to make it edible. This delicate soup is made with kuzu root (starch) from Yoshino in rural Nara prefecture. The green citrus is a very, very young yuzu.

The droplets of water on the lid are sprinkled on using a chasen, the whisk for making maccha in the tea ceremony.

Mukozuke: Tai, Ika, Kuruma Ebi Sashimi

Awabi (Abalone) Sushi

Soboku
Abalone season has just started in Japan. Traditionally, when fishermen collected them they would be tied up with straw. As Kichisen’s kaiseki retains a deep connection to the tea ceremony, this kind of natural simplicity is incorporated into the dishes. This is the kind of thing that makes Kichisen different from many other kaiseki restaurants in Kyoto.

Hassun: Various Fish Dishes

Hassun: Various Fish Dishes

Food Porn, the Kyoto Perspective
I asked Mr Tanigawa if I could photograph the other courses in this meal but he said that if you want to see them all you have to come to Kichisen for dinner. Interestingly, he said that if you show photos of everything, it cheapens it. Yes, that is a very ‘Kyoto’ approach — don’t show too much. (I am down on a lot of traditional Kyoto attitude, but I think I agree with his judgment on this point.)

Kichisen Restaurant

Kichisen Interior

Kichisen Gate

The plants on either side of the stone steps are aoi hollyhock.

note: The photos above are the property of Kichisen and may not be republished without permission (as often happens with my photos).

Aoi

Aoi Hollyhock

Aoi Hollyhock Flowers

Notice the tiny flowers under the leaves. This variety of hollyhock reminds me of strawberry plants far more than the hollyhocks that I used to grow back in Minnesota!

Yoshimi Tanigawa is an inspired master of Kyoto cuisine who has dedicated his life to food as an art and near spiritual experience. He teaches his students both taste and discipline. He creates pure Kyoto cuisine, without the excessive decoration that has been added in recent decades. At Tanigawa’s Kichisen, in addition to one of the greats meals of a lifetime, patrons are able to get reacquainted with authentic Kyoto cuisine. Tanigawa’s cuisine is unsurpassed Kyoto Kaiseki that draws on the four genres of Kyoto Cuisine; Yusoku Ryori (court cuisine), Kaiseki Ryori (tea ceremony cuisine), Shojin Ryori (temple food) and Obanzai (household food). If you are going to be in Kyoto and you like fine dining, make a reservation at Kichisen.

Yoshimi Tanigawa
We been trying to we had been trying to interview him for about 6 months. We had exchanged telephone calls, faxes and had some 5 meetings but could never close the deal. Finally when I went to return a book that we had borrowed from him he suddenly said that we ought to do an article on his Osechi Ryori. This is it!

Over the past few weeks I have spent some time at Kichisen getting to know Tanigawa. He has given us radishes, new rice, squid and some invaluable pointers on how to make excellent tsukemono, shiokara and dashi. Though Kichisen was reviewed in the New York Times 20 years ago and defeated Masaharu Morimoto on the Iron Chef television program in 1999, it is a real honor to have to opportunity to tell the English speaking world a bit more about this remarkable, dedicated and inspiring person.

Ikamaryu Shikibocho (Court Knife Ceremony) Master

Humble Beginnings in Rural Hyogo
Tanigawa grew up in rural Hyogo Prefecture, near Kobe. He lost his father when he was 4 years old and this painful experience caused him think deeply about life and become interested in religion.

His mother was often in poor health and from the time he was 9, he cooked for his mother and older brother. While the young Tanigawa had meager resources to make a bento lunchbox with, he had pride and did not want he or his brother to appear poor at school. Over a weed fire, he experimented and perfected techniques adding water and flour to eggs, appearing to have an overflowing bento box, unmatched in the school lunchroom. Tanigawa’s ambition and inventiveness was starting to develop.

Change of Plans
Since junior high school Tanigawa had intended to become a primary school teacher. This was the time that socially and culturally Japan really began to change, he sensed that many people would loose their way and wanted to be a teacher so that he could lead children in the right direction and help them find their way.

Tanigawa set his mind on going to a certain high school known for producing excellent teacher but much to his dismay he wan unable to enter this school. It was the only school that he wanted to go to and as he was able, he decided not to go to high school at all.

Ikamaryu Shikibocho (Court Knife Ceremony) Master

Arrival in Kyoto, Entering the Culinary World
At age 15 Tanigawa arrived in Kyoto. His older brother was working at a sushi restaurant in the city and arranged work at an average restaurant for the younger Tanigawa. Tanigawa said that even at a young age he knew that he was ambitious and always had the desire master what he was learning. He worked his way up and in several years was working in one of Gion’s finest restaurants under renowned master chef Toraichi Takibata.

Learned from the Master: Sunao
While under Takibata’s instruction, Tanigawa mastered the other traditional arts related to cuisine; flower arrangement, the tea ceremony and calligraphy. Tanigawa said that from his master he learned the importance of integrity and straightforwardness towards his cuisine, the customer and himself. (素直な料理、素直な味、素直な人間)

The word he uses, sunao (素直), is difficult to translate literally into English in this case. Some of the applicable meanings in the dictionary are: gentle, mild, obedient, frank. Tanigawa’s cuisine and traditional Kyoto cuisine are sunao.

Ikamaryu Shikibocho (Court Knife Ceremony) Master

Kyoto Kaiseki Restaurant: Kichisen
At age 31, Tanigawa built is own restaurant on Shimogamo Hondori Street, on the south-west side of Shimogamo Shrine. Shimogamo Shrine is a UNESCO World Heritage site and is older than Kyoto.

Kichisen Gate

Kichisen Entry: Master Tanigawa and Kyosaku ‘Encouragement Stick’

Notice the inscribed wooden slat on the wall, it is inscribed by the high priest at Jukoin, a sub-temple at Daitoku Temple. The inscription is called zengo, literally, ‘Zen word’ is a poem. This poem was composed specifically for Kichisen. The ‘encouragement stick’ is used to lightly hit drowsy meditators on the shoulder during Zen meditation sessions. The kyosaku, also known as keisaku, shall we say sets the tone for Tanigawa’s students.

Zen Kyosaku – detail

Signature of Zen master.

Kichisen ‘Sign’

Modesty

Kichisen Interior

Alcove with Ikebana

Dining Room

Large Dining Room

Kichisen Neighborhood: Shimogamo Shrine

Kichisen Surroundings: Shimogamo Shrine Gate

Kichisen Surroundings: Shimogamo Shrine and Tadasu Forest

Links

Iron Chef – Battle Pike Eel (1 of 5)
Iron Chef – Battle Pike Eel (2 of 5)
Iron Chef – Battle Pike Eel (3 of 5)
Iron Chef – Battle Pike Eel (4 of 5)
Iron Chef – Battle Pike Eel (5 of 5)